Excerpt from So That You Know 5 Poems

By Mani Rao

THIS MARRIAGE

It’s not too cold, I know,

but I had nowhere else

 

to keep this overcoat

 

All my suitcases were full

And my closet overcrowded

 

So I just let it sit

upon my shoulders

 

SOME OF WHAT I LEARNED FROM BOOKS

Give books away before they gather mold.

Will I be lucky or live to be old?

 

So you were fooled by the cover.

You’re the fool and it’s also over.

 

Not all great poets find renown.

Oh the snoring when they sleep on their own.

 

STORY MOON

Pair of lovers coupled

with a full moon—

Formula for romance.

Silhouetted faces cradled

in a generous moon curve—

Pregnancy.

 

The same pair walking on a beach, skies overcast,

moon skidding on footprints—

Death, or death

rescued by separation.

 

If there is no moon, oh no moon, there is no

moon at all, where is the moon, there is no

moon, honey, there is no moon, no

moon, and saying it again conjures no

moon what’s a poet to do

without moon

 

IF IT’S ANY CONSOLATION

To you who loved and could not speak of it,

lost something no one knew you had.

 

To you who find yourself abruptly weeping

in public with no legitimate explanation.

 

To you who told a friend who said ‘this too will pass’.

This did not. This carved a hole within your chest.

There this lives and owns your face.

 

To you who denied yourself and have no one else to blame

Surrendered to bondage thinking it your place

 

You went by the book, did not know better,

that piety was false, it was too late,

 

Two-minute silence.

 

TIRUVANNAMALAI

After I spat out sweet-n-sour stories

under the tamarind tree

 

Old photographs at Ramana’s cave

looked at me infinitely

Agape I walked on barefoot

rocks rumbling replies

 

Arunachala, red mountain,

your silhouette lines my dreams

 

Every morning, humanity snakes

around you, churning

 

Excerpted with permission from So That You Know by Mani Rao published by Harper Collins Publishers India, 2025.

Mani Rao is the author of thirteen poetry books including So That You Know (HarperCollins 2025), and four books in translation including Bhagavad Gita and Saundarya Lahari. Researching mantra experience in tantric communities, she discovered continuing revelations and new mantras in circulation on-ground for Living Mantra: Mantra, Deities and Visionary Experience Today.

After studying literature in the early 80’s Madras, she worked as an advertising and television professional for two decades in Mumbai, New Zealand and Hong Kong. A resetting of life-goals led her back to the world of learning– she then did an MFA from the University of Nevada, Las Vegas, USA, and a PhD in Religious Studies from Duke University, USA. Returning to India by 2017, she began to live in Puttaparthi and Bangalore.

You May Also Like
  • Dubravka Ugresic – Writing from Anywhere But Home by Shankar Mony

    An exile feels that the state of exile is a constant, special sensitivity

  • Violent Gateway of Thieving Hearts : Review By Mridula Garg

    A collection of compelling short stories that pushes us to reflect on the limits

  • A Conversation between Onir and Smita Sahay

    An interview with Onir, the award winning filmmaker about his latest book

  • Listening to Silence by Srabani Bhattacharya

    the sluggish sway of mosquito nets your saree clinging to the sweat of your

Subscribe to our newsletter To Recieve Updates

    The Latest
    • Matchbox by Usawa October‘25 Issue

      This edition of Matchbox by Usawa explores the patterns, customs, and structures

    • The Intimate Affair Of Mortality And Disgust

      A haunting meditation on death’s intimacy, despair, and allure

    • The Room Of A Parallel World

      Sohini Sen’s The Dandelions Have It blends nature, mind, and oneness

    • The Book of Death

      A child’s surreal grief: shame, scream, and haunted theatrical silence

    You May Also Like
    • Merci and Other Poems By Aditi Bhattacharjee

      I make us some blue tea/ ask you to sit with me/ we talk about morning glories

    • Portraits of Bias: Art, Science, and the Violence in Depictions of Black Women’s Bodies by Kirti Koushika

      visual conventions in art have a significant impact on how we perceive and

    • No Place for Stones by Gauri Dixit

      Our memories are crowded With Great grandmother’s jewellery Passed down

    • Kunwair Narain’s Witnesses of Remembrance review by Kinshuk Gupta

      The poems in the collection, Witnesses of Remembrance, take a hard look